| |
|
 |
|
| |
|
"In
my theories of art, I am deeply convinced that first
and foremost, and artist must have his own honest
individuality and personality, and not be prone to
flattering or being flattered. Otherwise, he is mere
craftsman in the trade, which is a vulgarity incompatible
with ideals of pure art."
|
|
|
|
|
|

| |
"I
used to admire the paintings of gibbons of Mu
Xi, especially the way he executed the furs,
so delicate and so true to life, and I concluded
that these results were possible only by close
and prolonged watching of real-life models.
So in Singapore, when I a saw one day a gibbon,
I bought it to be my model. This was followed
by half a dozen other gibbons, which I bought
at difference times - black, white, grey, all
kinds, which I have incorporated into a number
of my works."
|
|
|
|
|
|
|
|
"A
person aspiring to be an artist must be prepared for
long and arduous labors, and prolonged periods of
solitude. There is no assurance that he will necessarily
be successful; there is not guarantee that every piece
he attempts will be good.
|
|
| |
Therefore,
as I said at the beginning, this is a challenging
undertaking, a challenge that is endless. But it is
also a rewarding task, not necessarily in monetary
terms or in distinctions and recognitions, but in
the satisfaction one derives from the fulfillment
of a consuming passion for an art of beauty to which
he dedicates himself, his whole life, all his efforts
and endeavours."
|
|
View
artist's list
| |

Worker
|
Playful Gibbons
|
Herons, 1960's
|
Hometown,c1930-1940
|
Ducks
|
Bar Girl, 1950's
| |